Category Archives: CSK Award History

John Steptoe Award for New Talent: 1995-2000 in Review

In 1970, the first Coretta Scott King Book Award was given. Significantly, the award’s namesake, Mrs. Coretta Scott King, wife of Dr. Martin Luther King, Jr., stressed the critical importance of children’s books as learning instruments that taught universal human values. Among these values was the enduring belief that individuals must assume agency or responsibility for creating a world where the intrinsic beauty of African Americans was reflected in books with well-conceived and executed plots, fully-delineated characters, and images which thematically complement the book’s specific and overarching themes. 

The John Steptoe Award for New Talent was established in 1995 and is awarded annually to an author or illustrator of books for children and young adults that celebrate African American life and culture. As one of several distinctions given by the Coretta Scott King Book Awards Committee, the Steptoe Award confers distinction to recipients with fewer than three published works. It seeks to “affirm new talent and to offer visibility for excellence in writing and/or illustration which otherwise might be formally unacknowledged within a given year, and at the beginning of a career as a published book creator.” 

In this post, we’ll review the first decade’s recipients of the award. 

In 1995, Sharon Draper won the first John Steptoe Award for Tears of a Tiger. The first book in the Hazelwood High Trilogy, this novel describes the guilt and grief of Andy, driver of a car involved in a traffic accident that killed a fellow “Tiger” or student at Hazelwood High School. The book title and content ask a primarily adolescent reading audience to examine drunk driving, death, guilt, depression, suicide, and healing. 

Notably, the novel is presented through the eyes of an African American male, which is a device Draper uses to share public responses to African American males. Formerly an English teacher, Draper’s novel is also used in high school English classes for its use of complementary narrative voices which deconstruct the notion of truth and tone. 

Draper’s other works include her Jericho series, Sassy series, Ziggy and the Black Dinosaurs series as well as ten standalone novels, nonfiction and poetry. 

Image credit: SharonDraper.com

Martha Southgate won the Steptoe for her debut novel, Another Way to Dance in 1997. Like Draper, Southgate’s novel is relayed through the eyes of an African American teen. This bildungsroman describes a fourteen-year-old Vicki Harris and her desire to become a ballerina. While Vicki wins acceptance at the distinguished School of American Ballet in New York City, Southgate describes the isolation Vicki experiences as one of two African Americans at the school as well as her exploration of her identity as an African American. The racism she encounters and her efforts to negotiate this racism are a vital part of this narrative. Thematically, the negotiation of race and racism is presented in Southgate’s four novels (three of which are narrated by female protagonists) that examine the African American middle class and their diverse responses to other African Americans, race, and racism in America. 

Image source: Goodreads.com

In 1999, Eric Velasquez, illustrator of The Piano Man won the Steptoe Award. Velasquez’s images appeal to young readers who are the target audience for his first children’s picture book. Set in the decades leading up to and including the coming of sound in film in 1927, the book’s seventeen illustrations show the dignity and grace of African American men, women, and children as they enjoy entertainments like traveling shows and films. Velasquez’s depictions center on the life of Sherman Robinson, the grandfather of The Piano Man author Debbie Chocolate. Robinson was a pianist trained by jazz pioneer, Jelly Roll Morton. Young readers see Robinson’s composure and polish as he achieves milestones like purchasing his home, and meets professional and personal challenges. Velasquez also highlights African American culture by depicting African American filmgoers supporting filmmaker Oscar Micheaux by attending his 1931 film, The Exile

Image source: TheBrownBookshelf.com

In 1999, Sharon Flake received the Steptoe Author Award for The Skin I’m In. The novel is a bildungsroman that also addresses bullying, racism, family loss, and low self-esteem experienced by Maleeka Madison, an African American girl with a deep skin tone. Flake unflinchingly describes the world around Maleeka, made brutal by a select few, and the specific encounters Maleeka endures as a darker-skinned African American. Ultimately, Maleeka gains self-confidence through her writing and validating experiences with teachers and can defend herself. However, Flake targets victims as well as victimizers in her novel by asking those who bully to explore the motivations for their actions. 

Image source: SharonGFlake.com

John Steptoe Award Chronology 

2000 No award 

1999 The Skin I’m In by Sharon Flake (Steptoe Author Award) 

1999 The Piano Man illustrated by Eric Velasquez (Steptoe Illustrator Award) 

1998 No award 

1997 Another Way to Dance by Martha Southgate (Steptoe Author
Award) 

1996 No award 

1995 Tears of a Tiger by Sharon Draper (Steptoe Author Award) 

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Dr. Leslie Campbell Hime is manager of the Richland Public Library in Richland, Washington. She is an incoming ALA Councilor and a former chair of EMIERT and ALA’s Diversity Research Grant Advisory Committee. She obtained her MLIS from the University of Arizona and PhD in English from Michigan State University. 

Ten Years of Celebrating the Virginia Hamilton Award for Lifetime Achievement (2010-2011)

As we celebrate the tenth-anniversary of the Virginia Hamilton Award for Lifetime Achievement and the authors, illustrators, and practitioners who have received it, it is also important to reflect on the life of Hamilton herself, an indomitable woman whose innovative work brought stories of African-Americans to the international literary stage and forever changed the field of children’s literature. Hamilton would later credit her grandfather, Levi Perry, for instilling the gift of storytelling within her. 

During her Coretta Scott King (CSK) Book Award acceptance speech for The People Could Fly: American Black Folktales, Virginia Hamilton noted that “Levi Perry’s life, or the gossip about his days, has elements of mystery, myth, and folklore…It’s from hearing such tales that I became a student of folklore.” Levi began his life as a slave, but when he was five-years-old, his mother smuggled him out of Virginia and managed to get him to relatives in Ohio, where he was raised as a free man. That story of maternal sacrifice and the flight to freedom had an indelible impact on Hamilton, who said, “And this was the original story as far as I’m concerned…That was the beginning of the family culture.” 

After marrying Rhetta Adams, Levi settled on farmland in Yellow Springs, OH, where Rhetta’s family had lived since the 1850’s. The couple had ten children including Etta Belle, who would become Virginia’s mother. As she grew to adulthood, Etta Belle rebelled against Levi’s rules, particularly his insistence that she only date ministers. While visiting her sister Bessie and her husband in Canada, Etta Belle met her future husband, Kenneth James Hamilton, by chance at a ball. Kenneth graduated from Iowa State Business College in the 1890’s but was told that no one would hire a black man as a banker. A series of odd jobs brought him to Canada where he and Etta Belle fell in love and were married. They returned to Yellow Springs and started a family on a twelve-acre farm while Kenneth took a job as the manager of the Tearoom, a dining hall at Antioch College. Virginia, the youngest child, was born on March 12th, 1934 and was named for her grandfather’s home state. 

Even as a child, Virginia’s life was inundated with stories. Her mother put her to sleep with tales such as Br’er Rabbit and the Tar Baby while her father regaled her with tales of real life African-American heroes like W.E.B. Du Bois and Paul Robeson. The Sherlock Holmes mysteries she and her father read together became the inspiration for Virginia’s novel The House of Dies Drear (1968), while a picture of the Watusi people found in her father’s magazine collection influenced her first novel, Zeely (1967). Inspiration for her more than 40 books emanated from her bucolic childhood in Yellow Springs as much as from stories her family told. During adventures wandering through her family’s land and the neighboring glen, Hamilton stumbled upon a ramshackle grand hotel, the memory of which she drew upon for Dies Drear and M.C. Higgins the Great (1974).

Hamilton discovered her career path while working with her father at the Tearoom during high school. Antioch College was integrated, and Hamilton encountered students of diverse backgrounds, many of whom were from New York City. After three years of studying writing at Antioch, Hamilton transferred to Ohio State University as a literature major in 1956. A professor encouraged her to pursue writing in New York City, and after graduation she moved to the East Village, working as a receptionist, an accountant, and a singer to make ends meet.  Hamilton’s big break came when Janet Schuetz, a former classmate and wife of an ad writer for Macmillan Publishing, was impressed with a short story that Hamilton wrote in college and encouraged her to turn it into a children’s book, a path Hamilton had never considered. That book became Zeely. Critics enthusiastically embraced Zeely, which not only prominently featured black characters, but was a story whose plot did not revolve around racial struggles. The American Library Association recognized Zeely as a Notable Book, the first of many awards that would come Hamilton’s way during her long career. 

In 1975, Hamilton won the Newbery Medal for M.C. Higgins, becoming the first African-American writer to win this prestigious award. She would go on to win the Laura Ingalls Wilder Award, the de Grummond Medal from The University of Southern Mississippi, and The Hans Christian Andersen Award for Writing, the highest international honor for a children’s book author or illustrator. Central to her success is Hamilton’s focus on relatable characters and deep reverence for children and childhood. In her acceptance speech for The Hans Christian Andersen Award, Hamilton said: “Indeed, it is often said that we authors write especially for children because our childhoods were so vital and heartfelt that we cannot let go of them, ever. But I do write about childhood awareness out of my rich, country experience. I truly loved being a child. I still keep inside me that curious six-year-old, that ten-year-old lover of pranks and jokes, and the defiant thirteen-to-fourteen-year-old.” 

Virginia Hamilton’s death in 2002 from breast cancer left a void in the children’s literature world that can never be filled, but her legacy of storytelling lives on to be cherished and celebrated by generations of young people who, thanks to her, see themselves reflected in literature.  Learn more about her by visiting http://www.virginiahamilton.com/

Virginia Hamilton Award for Lifetime Achievement is presented by the Coretta Scott King Book Awards Committee in even years to an African American author, illustrator or author/illustrator for a body of his or her published books for children and/or young adults, and who has made a significant and lasting literary contribution. For additional information, including a list of winners, visit this link

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Rodney Marcel Fierce is a Humanities Teacher at Sonoma Academy in Santa Rosa, California and is finishing his dissertation for his English doctoral program at The University of Southern Mississippi. He is a member of the CSK Marketing Committee.

CSK By the Numbers

As the Coretta Scott King Book Awards enter the second half of their first century, the John Steptoe Award for New Talent is celebrating its twenty-fifth anniversary, and the Virginia Hamilton Award for Lifetime Achievement is celebrating ten years. This seems like a natural time to review the history of the awards. 

Even though the Steptoe award is twenty-five years old, it has only been awarded to seventeen authors and twelve illustrators. There were six years (2013, 2012, 2001, 2000, 1998, and 1996) that no one received the award – neither author or illustrator – and another seven years that no one received the illustrator award.

Of the twenty-nine Steptoe winners, seven have gone on to win additional CSK awards. That’s twenty-four percent. Five for writing (Hope Anita Smith, Jason Reynolds, Kekla Magoon, Sharon Draper, and Sharon Flake) and two for illustration (Ekua Holmes and Frank Morrison). 


Image Sources: Hope Anita Smith/MacMillian Publishers; Jason Reynolds/SLJ; Kekla Magoon: Author’s Website; Sharon Draper/Author’s Website; Ekua Holmes/Author’s Website; Frank Morrison/Harper Collins Publishers

Walter Dean Meyers has won the most CSK Author Awards with five. Three people are tied with the most CSK Author Honors: Walter Dean Myers, Virginia Hamilton, and James Haskins. All of these writers have won six CSK Honors.

Bryan Collier has won the most CSK Illustrator Awards with six. Ashley Bryan has the most CSK Illustrator Honors with seven.

Nineteen people have won at least five times. Ashley Bryan has been recognized the most with a total of thirteen times, while Walter Dean Meyers comes in a close second with twelve wins. In fact, fifty authors or illustrators (or thirty-one percent) of the total number of CSK winners have multiple awards/honors. Patricia McKissack has actually garnered ten CSK Awards or Honors. Eight of them were co-awarded with her husband Fredrick and displayed on the chart below. The other two were awarded to her as an individual writer and not reflected below. This makes her the most recognized female in CSK history with a total of ten CSK Awards or Honors.



Image Credit: Ashley Bryan/Emma Lee; Patricia and Frederick McKissack/The St. Louis American; Walter Dean Myers/Constance Myers

The CSK Awards jury handbook specifies that zero to three CSK Honors may be given for author and illustrator. However, this rule must have started after 1984, since prior to this year as many as eight author honors had been awarded in a single year.  When considering the most common number of honors given out, it turns out that three recognitions is the most common for CSK Author Honors. On nineteen occasions, three CSK Author Honors were given out. On the other hand, two is the most common for CSK Illustrator Honors. On seventeen occasions, two illustrator honors were given out compared to only eleven occasions when three honors were. Of course, each committee is its own entity and can recognize however many titles up to three titles during one award year.

Other interesting facts include the following:

  • Every time Rita Williams-Garcia won the author award Bryan Collier won the illustrator award (2011, 2014, and 2016).

  • R. Gregory Christie has received six CSK Illustrator Honors, but has not yet won the CSK Illustrator Award.

  • Kadir Nelson and Ashley Bryan are the only people who have received recognition as  both author and illustrator. In 2009, Kadir Nelson won the CSK Author Award and a CSK Illustrator Honor for We Are the Ship: The Story of Negro League Baseball. In 1987, Ashley Bryan won a CSK Illustrator Honor and a CSK Author Honor for Lion and the Ostrich Chicks and Other African Folk Tales.

  • The most CSK Honors given out in one year is eight. That was in 1971, the second year of the award and before the CSK Illustrator Award was even started.

  • Four times (1970, 1972, 1973, and 1975) no CSK Author Honors were awarded.

  • Ten times no CSK Illustrator Honors were named, the most recent being in 1991.

  • In 1975, no CSK Author or CSK Illustrator Honors were awarded.

  • 1974 was the first year for the  CSK Illustrator award to be given out.

  • Three people have won two awards in the same year for different books. In 2016, Jason Reynolds won honors for different books (All American Boys and The Boy in the Black Suit) In 1980, James Haskins won honors for Andrew Young: Young Man with a Mission and James Van Der Zee: The Picture Takin’ Man. In 1995,  Patricia C. & Fredrick L. McKissack won the award for Christmas in the Big House, Christmas in the Quarters and an honor for Black Diamond: Story of the Negro Baseball League.

  • A total of 338 awards have been given out to 163 individuals.

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Keary Bramwell is a member of the CSK Technology Committee and children’s librarian in the Chicago suburbs.


Continuing to Celebrate and Use Coretta Scott King Book Awards Titles After the 50th Anniversary

Image credit: Lauren Kratz

At the end of 2019, I went to see the Our Voice: Celebrating the Coretta Scott King Illustrator Awards exhibit at the Los Angeles Public Library. I invited my friend and co-worker Daniella, who is eighteen and had never read any of the Coretta Scott King award-winning books growing up. While we were viewing the exhibit, I cheered when I saw John Steptoe’s beautiful artwork from his book Mufaro’s Beautiful Daughters. Daniella was impressed and asked me about the story. As I explained, I remembered that I had first loved this book because of watching the television show Reading Rainbow hosted by LeVar Burton in the 1990s. I would have my lists of books prepared before trips to the library, all suggestions from the show Reading Rainbow. I then noticed that Daniella had her list of books she had written down. I asked her what that list was for, and she said, “Books that I am going to check out when we get back to the library.” 

As Daniella and I were leaving the exhibit, we paused again in front of Faith Ringgold’s magnificent Tar Beach story quilt. At that moment, I wondered to myself: As a children’s librarian, why am I not using more Coretta Scott King award-winning books in my programming throughout the year? Not just when there is the CSK 50th anniversary or African American Heritage Month, but regularly.  I decided to take action.

Inspired by my visit to see the Our Voice exhibit, the first CSK Book Award inspired program that I created for my library for 2020 was a quilt-inspired placemat. For this all-ages activity, we read Tar Beach aloud and projected a life-size image of Ms. Ringgold’s story quilt. We talked about what a quilt is and how each one tells a story. Many children shared that they had quilts at home from someone in their family. Then the children created their placemats by gluing different paper shapes and we laminated them.

Image credit: Lauren Kratz
Image credit: Lauren Kratz

During the program, I also projected CSK award-winning illustrated book, The Patchwork Quilt by Valerie Flournoy, illustrated by Jerry Pinkney, onto a screen. We had copies of Tar Beach, The Patchwork Quilt and The Quilts of Gee’s Bend by Susan Goldman Rubinon on hand and available for check out for project inspiration. The children could not wait to share the stories behind their quilt inspired placemats.

My next CSK Award related program will be a children’s book club where we will discuss recent CSK Author Honor winner Kwame Mbalia’s middle grade fantasy, Tristan Strong Punches a Hole in the Sky

Throughout the year and in the future, I will continue to find ways to promote Coretta Scott King Award-winning books through library programming, outreach, and displays as well as with my colleagues and other educators.

You can check the National Center for Children’s Illustrated Literature (NCCIL) website for further information about when the Our Voice exhibit may be traveling to you. Once public health circumstances permit and if you have the chance, please don’t miss seeing this beautiful exhibit in person. There is also a link to request more information about bringing the exhibit to your venue.

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Lauren Kratz is a member of the CSK Technology Committee, the CSK Awards Book Donation Grant Standing Committee, and a children’s librarian at Los Angeles Public Library. 


CSK Legends: Mildred D. Taylor

Photo Credit: The Hornbook

Family history has always fascinated me. Like the elders of many African American families, mine migrated from backwater Southern towns to a more thriving one in the 1930’s.  Their personal histories were, however, closed doors. Fortunately, encountering Mildred D. Taylor’s Roll of Thunder Hear My Cry and Let the Circle Be Unbroken in elementary school gave me keys to understanding. Once this access was granted, I could feel and imagine the worlds of my grandparents and their predecessors– comforts and terrors alike.

Like the West African griots of long ago who passed down family histories, Taylor has devoted most of her literary career to telling one story: that of the Logans, a proud black family of the Southern United States. Her stories are to children’s literature what Alex Haley’s Roots is to adult historical fiction. Both make history dance and command our attention, awakening ancestral memory in a way that cold facts and timelines cannot.

Special thanks to Janell Walden Agyeman of Marie Brown Associates and Regina Hayes of Penguin Random House for helping to arrange this exchange which happened by email in Spring 2019. It has been lightly edited for posting on this blog.

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JW: First, thank you for agreeing to this interview. After Song of the Trees was published in 1975, did you have any idea that you would continue to share parts of Cassie’s family story for the next forty years? Also, you’re putting the finishing touches on the final installment which you’ve titled All the Days Past, All the Days to Come. How does it feel drawing the Logan family saga to a close?

MDT:  I had planned from the very beginning to tell Cassie’s family story, although I didn’t have any idea how long it would take.  I have felt such an obligation to finish the story; it has pressed on me.  At one point I even gave back the contract advance for the final book, feeling the pressure was too much.  But I had made a commitment, and I wanted to finish the Logan story. It saddens me that this book is the end, but there is also a sense of relief. I am done!

Photo courtesy of Mildred D. Taylor

JW: Along with the inspiration that you got from your family, specifically your father, what published writers influenced your storytelling?

MDT: It may surprise you to learn that the writer who influenced me the most was Harper Lee.  I loved Scout of To Kill A Mockingbird.  My Cassie Logan had a different story to tell, from a Black point of view.

JW: Your work foregrounds the dignity and self-respect of the Logan family in the face of the indignities of the Jim Crow era. In every instance, your stories move beyond struggle and woe to emphasize courage, the power of family unity. I also love how nature plays an important role in all of the Logan stories that I’ve read. Do you intentionally place courage and reverence for nature at the heart of your work?

MDT:  Yes, both courage and reverence for nature. I was born in Mississippi but left when I was three months old, and although I grew up in Toledo, my family went yearly–sometimes even twice a year— back home to Mississippi, to the land.  It was beautiful, with forests and ponds and we would walk it drinking in the beauty and appreciating the calm and peace of the trees and the land our family had struggled to obtain and hold onto. This was land my great-grandparents had bought after they came from slavery. When I saw the land where I now live in Colorado, it spoke to me in the same way.

JW: After winning your first literary awards, namely the CSK, what changes happened in your career? And did this kind of recognition have any effect-on how you approached your writing?

MDT:  Well, actually, my first literary award was winning the contest sponsored by The Council on Interracial Books for Children, and that led to the publication of Song of the Trees.  My second literary award was the Newbery Medal, for Roll of Thunder, Hear My Cry.  So in a sense, big changes had already occurred.  But of course it was wonderful to win the Coretta Scott King award for four of my books. I have never liked making speeches.  Preparing speeches and delivering them drained and distracted me from my work; therefore, I have seldom attended award ceremonies. When The Road to Memphis won the award, I was actually on the dais with Mrs. Rosa Parks and was able to talk with her. My greatest regret concerning the award is when I was unable to attend the ceremony to accept the Coretta Scott King award for The Land, and I missed the chance to receive the award from Mrs. King herself.

Image Credit: Kadir Nelson/Puffin Books

JW: Before becoming an established writer, I read that you taught on both a Navajo reservation in Arizona and in Ethiopia. These cultures have strong poetry and verbal storytelling traditions. How, if at all, did these experiences influence your own storytelling?

MDT:   I spent three weeks on the Navajo reservation in preparation for teaching with the Peace Corps in Ethiopia.  There were only white teachers on the reservation and the children crowded around me since my skin was brown like theirs.  One little boy in particular was so sweet to me; he put his arm next to mine and said, “Look, Miss, we’re alike!” I had similar experiences in Ethiopia, where the people I met had never seen an African American.

Although both Navajo and Ethiopian cultures have a storytelling tradition, my own storytelling grew entirely out of the Southern tradition [of the U.S].  We were a family of storytellers. Whenever the family was together, we loved hearing and telling the stories of past events.

JW:  From your perspective as a literary veteran and culture keeper, what value do you think that awards like the CSK have? Are they still as important as they once were? And how would you compare what’s being published today for children of color to that of past decades?

MDT:  I am not in a position to evaluate this.  When I am writing, I don’t read other writers’ work, and I’m usually quite unaware of the awards and their impact.  One trend I deplore is the pressure to whitewash the past. The past was not pretty – I lived it and I remember and I am determined to portray it as it was.


Mildred D. Taylor has won the Coretta Scott King Author Award for The Land (2002), The Road to Memphis (1991), The Friendship (1988) and Let the Circle Be Unbroken (1982). She is also a two-time recipient of the Coretta Scott King Author Honor for Roll of Thunder Hear My Cry (1977) and Song of the Trees (1976).

Jené Watson is Chair of the CSK Technology Committee as well as a mother, writer, educator and librarian who lives and works in suburban Atlanta. She is the author of The Spirit That Dreams: Conversations with Women Artists of Color.

A Night of Enchantment

Alan R. Bailey

I had been excited about the Coretta Scott King Book Awards 50th Anniversary Gala since the day it was announced, but my stomach was filled with so many butterflies on Friday, June 21st, I thought they would lift me off the ground and out of Washington, DC. Waiting for the doors of the celebration to officially open at 6:30 p.m. was truly getting the best of me. These were not butterflies associated with anxiety, fear, doubt, or uncertainty, however, but butterflies of joy and anticipation. It reminded me of how I felt around Christmas Eve as a young child.

As I walked towards the carriage house entrance, I noticed a luxurious black car parked near the entrance. When I heard the car door close and people began to chatter, I looked over my shoulder out of curiosity and saw Dr. Carla Hayden, looking radiant in a black and fuchsia dress, standing next to the car. She smiled warmly as our eyes met, and I must admit I blushed. A minute later, while I was still in awe from seeing Dr. Hayden, Ashley Bryan was escorted by me and into the building. At that very moment, I knew June 21, 2019, would be an enchanting night.

When I entered the great hall, I was temporarily immobilized by the majestic staircases, floors, arches, lighting, dome, and more. Everything in sight, including the beautiful people surrounding me, was magnificent. Although I have been a librarian for more than 35 years and visited DC more times than I can count, I am a bit embarrassed to say I had not visited the Library of Congress. Of course, I expected it to be majestic, but what I saw and felt surpassed everything I had imagined – I felt as if I had taken a step back in time.  

Photo credit: Susan Polos

Seven o’clock was rapidly approaching, so everyone was ushered quickly to Coolidge Auditorium, where the gala took place. As I entered the auditorium, I immediately knew I was amongst my true tribe. Authors, illustrators, librarians, and many others sharing a common thread – an admiration for books for and about African American children, especially those with seals representing the Coretta Scott King Book Award on their covers. Saying the auditorium was filled with the crème de la crème is an understatement. As I walked down the aisle, James and Lesa Cline Ransome were in front of me, Christopher Myers was standing on my left, and George Ford was engaged in a lively conversation on my right. Adrenalin pumped vigorously as I finally took my seat. I glanced around before opening my program and saw amazing individuals like Kadir Nelson, Kekla Magoon, Jerry Pinkney, R. Gregory Christie, Sharon Flake, and Jason Reynolds. And, remember, this was before the event officially began.

As the lights dimmed and the eloquent voice of Andrea Davis Pinkney came over the microphone, the night of nights began, and, oh, what a night it was. The program included a heartfelt welcome from Dr. Carla Hayden, the spectacular voice of Jewell Booker, the presentation of the astonishing commemorative painting of Mrs. Coretta Scott King by Kadir Nelson, poetry written especially for this 50th Celebration delivered by Kwame Alexander and accompanied by guitarist Randy Preston, and inspirational remarks by Jacqueline Woodson, National Ambassador for Young People’s Literature. What a powerful lineup. And to close the program, “Dream for Tomorrow,” a piece choreographed by Dobbin Pinkney, and performed by Dobbin and a troupe of gifted dancers. And yes, Dobbin is a member of the amazing Pinkney family – a family that will never stop astonishing us with their talents!

Photo credit: Susan Polos

The gala concluded with a reception filled with food, champagne, and lively conversation. Unity and love radiated throughout the great hall. Love for both children’s literature and for humanity – how could you not feel its presence? I proudly rode that wave of unity and love as I greeted and chatted with Rita Williams Garcia, Angie Thomas, Sharon Draper, Ekua Holmes, and the legendary Eloise Greenfield. In addition to some of the world’s greatest children’s authors and illustrators, I had the pleasure of seeing Fran Ware (Chair of the CSK Book Awards Committee when I joined the committee in 2005), Dr. Carole McCollough (Chair of my first CSK jury), and Satia Orange (former Director of OLOS). My heart swelled with joy as I conversed with these three amazing women who influenced me over the past 15 years more than they can ever imagine.

When the gala ended, I exchanged warm goodbyes, descended one of the majestic stairwells, called for a car, and returned to my hotel room with intentions to shower and go directly to bed. Showering was easy but going to bed was more difficult than I imagined. Although I was exhausted, memories of the spectacular evening flooded my mind in waves too strong to allow me to retire for the evening. For me, the Coretta Scott King Book Awards 50th Anniversary Gala was a moving, almost spiritual, event of a lifetime. Undoubtedly, a night of enchantment.

Alan R. Bailey is the 2019-2021 Chair of the Coretta Scott King Book Awards Committee, He is a Professor at East Carolina University, Greenville, NC.

Time to Pass the Gavel: Coretta Scott King Book Awards Chair Dr. McLinn’s Message to the CSK Community at ALA Annual

Dr. Claudette McLinn

It is with a great sense of gratitude and satisfaction that I write my final message as Chair of Coretta Scott King Book Awards Committee/Community during the 50thAnniversary of the CSK Book Awards founding. 

As of June 26, 2019, the end of the Annual Conference, my esteemed colleague Alan Bailey will assume the role of Chair, and I cannot think of anyone more qualified and prepared to serve as your 2019-2021 Chair. Indeed, all the CSK Executive Board members with whom I’ve had the pleasure to serve, as well as the incoming members, are eminently qualified to help lead the committee into the future. My thanks and best wishes also go out to those CSK Standing Committee members and CSK 50thAnniversary Planning Committee members whose terms will be completed at the end of this month and who have served with diligence, enthusiasm, and commitment. 

As I transition to the role of Immediate Past-Chair, I am truly humbled and honored to join such an outstanding group of individuals who have served CSK in this role. As I look back over the past two years, I am immensely proud of all that our committee has accomplished during that time, especially during the CSK 50thAnniversary celebration. 

For now, suffice it is to say that our CSK committee members, ODLOS staff, ALA supporters and leaders have done an outstanding job of moving the committee forward despite numerous challenges. I can’t wait to see what the future holds!

Finally, I would simply like to say “Thank you!” to every CSK Committee member for allowing me the privilege of serving as your Chair over this past two years. It is an experience I will never forget and which I will treasure for the rest of my life. You, the members, are the reason our committee exists and the reason why we as leaders do what we do. I hope you will keep fighting the good fight and never forget that your skills are crucial to the safety, health, and well-being of countless librarians, library workers, authors and illustrators, parents, and students across this country. That is something we can ALL be proud of! 

Thank you, and onward and upward! 

Dr. Claudette S. McLinn   Chair, Coretta Scott King Book Awards Committee, 2017 – 2019 Chair, Coretta Scott King Book Awards 50thAnniversary Planning Committee, 2016 – 2019 #CSK50

This is the message delivered by Dr. Claudette McLinn, outgoing Chair of the Coretta Scott King Book Awards Committee, at the 2019 ALA Annual’s CSK Membership Meeting on June 26.

Experiencing the Coretta Scott King Book Awards through Audiobooks

As we celebrate 50 years of the the Coretta Scott King (CSK) Book Awards, many of these award-winning and honor titles have resonated with many of us throughout this celebratory time.  Today, however, we want to acknowledge CSK titles that offer the same level of intrigue through the mesmerizing experience of audiobooks by highlighting a few remarkable and memorable selections.  

Reading a book is definitely an excellent way to enjoy a story, but experiencing that story in an audiobook version can be just as enjoyable, if not more, depending on the title.  Oftentimes, audiobooks are viewed as “not reading” and tend to be overlooked. Nevertheless, select audiobooks, including CSK titles, can elevate these stories, serving as a means to catapult young people into an unexpected and pleasant ride full of captivating music, vivacious characters heard in various voices, or stunning sound effects.  In addition, audiobooks offer several benefits for youth and teens that are worth noting.

Benefits of audiobooks

  • Promote active listening and offer engaging entertainment
  • Introduce vocabulary and increase comprehension skills
  • Foster an interest in reading through high quality narration, often from well-trained actors, actresses, or skilled authors (e.g. Jason Reynolds)
  • Provide an opportunity to experience a book that is higher than one’s reading level

In this digital age, audiobooks can be enjoyed in a number of ways beyond the traditional CD format; for instance, eAudiobooks are easily accessible from a smartphone, tablet, or browser.  Furthermore, this convenient format migrates well on the go, in the car, or on a walk.

Now, let’s take a look at a few CSK titles that are worth a listen if you have yet to hear any of these works.  

Notably, Trombone Shorty and The Hate U Give are a couple of CSK titles that should be promoted and experienced in the audiobook format since they represent the extraordinary sound of storytelling in an unforgettable way. In fact, any of the CSK titles as audiobooks could potentially heighten the story for a listener in such a way that the memories of the production linger long after the story ends for an awe-inspiring journey that could never be muted.  

Ashley Mensah is the Customer Service Manager at the Pickerington Public Library and the newly elected corresponding secretary for the CSK Book Awards Executive Board.  She currently serves on the CSK Technology and Publication Committees. 


CSK Through the Decades: The 2010s

As Coretta Scott King Book Awards celebrate 50 years strong, one can only imagine how proud the founders and contributors are.  50 years strong!  What a platform!

We cannot forget how the past winners expanded and transformed recognition of African American Literature. Over the decades, award winners continued to build and raise the foundation of excellence.  They challenged 2010-2019 winners to step their talents to the next level by sharing their stories and experiences through art and words.  And, that they did. These winners did not disappoint.  Like our past award winners, many moved on to become the best of the best and a permanent fixture in youth literature; many received multiple nationally distinguished awards.

We have seen consistent author and illustrator name recognitions during this decade. With over 60 titles under his belt (seven Coretta Scott King honors and counting), R. Gregory Christie has captured three Coretta Scott King honors this decade:  The Book Itch: Freedom, Truth & Harlem’s Greatest Bookstore (2016), Freedom in Congo Square (2017) and Memphis, Martin, and the Mountaintop (2019). Christie is the proud owner of a bookstore GAS ART GIFTS (Gregarious Art Statements); this store also houses an art studio. Aside from his book illustrations, Christie’s work has been featured at festivals, subways, music covers, and television.  In 2013, he created the United States Post Office “Kwanzaa Forever” stamp. What a well-deserved honor!

Likewise, Ekua Holmes received a Coretta Scott King Award for Illustration in 2018 for Out of Wonder: Poems Celebrating Poets and in 2019 for The Stuff of Stars.  Like many, she was influenced by the absence of positive Black images and decided to make an impact by becoming the founder of The Great Black Art Collection – a platform for new artists and introduction to Black art for all. Museums and galleries drew Holmes into the art world.  In turn, this drew her into stories.  Before long her artwork made its way to books. Holmes’ collages are full of life, color and texture as though they are ready to jump out. This year, debuted nationally on January 19th, Holmes created a Google Doodle in honor of Dr. Martin Luther King Jr.’s birthday – what a tribute! 

Very few have had books competing for the same awards during the same year yet Jason Reynolds managed that!  And, he had snagged the John Steptoe New Talent Award for When I Was the Greatest the previous year, 2015! In a short period he has received four Coretta Scott King Author Honor Awards: All American Boys and The Boy in the Black Suit (2016); As Brave as You (2017) and Long Way Down (2017). What makes his novels and poetry for middle schoolers and teens so special?  From his personal website, his goal is to “not write boring books”; he states, “Here’s what I know: I know there are a lot — A LOT — of young people who hate reading… I know that many of these book-hating boys, don’t actually hate books, they hate boredom. If you are reading this, and you happen to be one of these boys, first of all, you’re reading this so my master plan is already working (muahahahahahaha) and second of all, know that I feel you. I REALLY do. Because even though I’m a writer, I hate reading boring books too.” 

Winning three Coretta Scott King Author Awards this decade for One Crazy Summer (2011), P.S. Be Eleven (2014), and Gone Crazy in Alabama (2016), Rita Williams-Garcia shares her characters in the moment of history or place.  Recognized for her great character development and humor, Williams-Garcia focuses on the day-to-day lives of middle-class African American youth. She is subtle with her messages. Readers engage with the characters Williams-Garcia brings alive.  Her excitement for writing comes across in her 12 titles. Her readers truly feel a sense of place and imagination.

Receiving a Coretta Scott King Author Award in 2015 for Brown Girl Dreaming and a Coretta Scott King Author Honor Award in 2013 for Each Kindness during this decade, Jacqueline Woodson has taken her writing style through many levels and has something to offer readers of all ages.  With over 30 titles under her belt, topics covered in her writing range widely in content to the point that some feel subject matters are uncomfortable.  Through her poetic writing, Woodson dares readers to look at the big picture – how do societal influences we have today compared to subject matters she writes about? Readers are challenged to address difficult topics.

Although they were mentioned in the CSK Blog post titled, CSK Through the Decades: The 2000s, Bryan Collier and Kadir Nelson continued to break through as high-caliber artists during the 2010 period. Collier captured four CSK wins: 2011 Dave the Potter: Artist, Poet, Slave (2011), I, Too, Am America (2013), Knock Knock: My Dad’s Dream for Me (2014), and  Trombone Shorty (2016). Nelson, won Illustrator Honors in 2013 for I Have a Dream: Martin Luther King, Jr, and in 2014 for Nelson Mandela. He also received both a CSK Author win in 2012 for text and an Honor for illustrations for Heart and Soul: The Story of America and African Americans.

Through their eyes and talent, the 2010-2019 winners bring unity and diversity. These authors and illustrators have expanded our platform. Their work is appreciated by all ages; there is something for everyone. They have expanded our imagination.  They have educated us. Through their love and drive, 2010-2019 winners continue to challenge themselves with their talent. Yet there is much more space for the future to wow us, and we cannot wait to see what is to come. Together, we are 50+ years strong.

Sandy Wee is Library Services Manager, Access Services, at San Mateo County (CA) Libraries. She is a member of the CSK Marketing Committee.

CSK Through the Decades: The 2000s

The 2000s were a decade of change: a new decade, a new century, and a new millennium. A time when our nation experienced the consequences of a horrifying tragedy: the terrorist attacks on September 11, 2001, but also a time that fortunately ended on a joyful note when many children across the country saw themselves represented in our nation’s highest political office for the first time with the election of the first African American President, Barack Obama. This decade also witnessed the Coretta Scott King Books Awards continuing to shine its light on numerous prominent authors and illustrators. In the 2000s, the CSK Book Award was given to its first Nobel Prize winner, Toni Morrison, 2005 CSK Author Winner for Remember: The Journey to School Integration. Jerry Pinkney won an additional CSK Illustrator Winner Award in 2002 for Goin’ Someplace Special and was awarded a CSK Illustrator Honor two more times, in 2005 for God Bless the Child and in 2009 for The Moon Over Star. Ashley Bryan added two more CSK Illustrator Winner Awards to his mantle, in 2004 for Beautiful Blackbird and 2008 for Let It Shine. Mildred D. Taylor won her final CSK Author Award in 2002 for The Land.

Perhaps most significantly, this was the decade where two prominent illustrators made a splash in the children’s publishing world and made a huge impact on the Coretta Scott King Book Award community. Kadir Nelson and Bryan Collier received numerous honors and awards for their work through art and the written word for celebrating many prominent African Americans in history while also illuminating lesser-known yet equally important stories.

Bryan Collier

Born in Maryland in 1967 as the youngest of six children, Bryan was always an artistic child. With a mother who worked as a teacher, Bryan was always surrounded by books and was primarily drawn to the art in picture books. He remembers reading The Snowy Day by Ezra Jack Keats and Harold and the Purple Crayon and becoming fascinated by the illustrations and the joy they conveyed. This led him to attend art school at Pratt Institute in New York, where his signature watercolor and collage pieces attracted the attention of children’s book publishers. Of his nine CSK winner and honor awards, five of them were awarded in the 2000s.  He has won more CSK awards than any other illustrator.

In 2001, Bryan was awarded his first CSK Illustrator Winner Award for Uptown, which he also wrote. Uptown celebrates Harlem, the historic African American New York City neighborhood that has been the home of Black intellectuals, poets, and activists. This thriving community, seen through the eyes of a young boy, allows the reader to feel the vibrant nature of the neighborhood and its people through everyday life experiences. From basketball courts and brownstones to the Apollo Theater and the jazz stylings of Duke Ellington, Bryan’s artwork effectively conveys the joy and sometimes struggles of this community.

That same year, Collier was awarded a CSK Illustrator Honor for Freedom River, written by Doreen Rappaport. A story that highlights the little-known tale of John Parker, an African-American man who bought his freedom from slavery and devoted his life afterward to helping hundreds of people escape slavery through the dangerous Underground Railroad. Unlike Uptown, where Bryan’s art conveys joy and effusion, the art in Freedom River conveys the fear and terror experienced by those trying to escape to a better life. In his collage work, Bryan’s use of deep blues and blacks accentuates the emotions and the treacherous path that many had to experience to achieve their basic human right of freedom.

In 2002, Bryan won his second CSK Illustrator Honor and his third CSK Book Award overall for his work in Martin’s Big Words, a picture book biography about minister and civil rights activist, Dr. Martin Luther King Jr. Working again with Doreen Rappaport, Collier achieved an accessible look at the complicated life of one of modern history’s most famous people. Dr. King was a Baptist minister; many of Bryan’s illustrations effectively juxtapose light against the stained glass windows endpapers, revealing King’s majestic serenity.  A young boy features prominently throughout these illustrations, providing young readers with a gateway into the life of this distinguished man and his activism, making this book stand above other MLK, Jr., biographies for children. For his artistic achievement in this work, Bryan was awarded the first of his four Caldecott Honors.

The following year (2003), Bryan won his third Illustrator Honor and fourth CSK award overall for Visiting Langston. Collaborating with acclaimed poet Willie Perdomo, Bryan showcases the joy of Langston Hughes and his work by telling the story of a young girl who is excited about the thought of going to Langston Hughes’s house in NYC (which is still open and operational today) with her father. The appreciation for Hughes’s work resonates through his complex art that, at times, incorporates Perdomo’s words in the illustrations. In one particularly breathtaking spread, the young girl sees the highest peak of Hughes’s home drenched in light reminiscent of light shining through the window of a church.

In 2006, Collier received his second CSK Illustrator Award and fifth CSK award overall for his larger-than-life work in Rosa. Joining forces with legendary poet Nikki Giovanni, Collier illustrates the story of Rosa Parks, an ordinary woman who did something extraordinary by taking a stand. What makes this story tower over the mountain of titles about Ms. Parks is the breathtaking artwork from Bryan. Not only do the illustrations complement the text, but they also extend the text with his glorious signature use of color and light. Murky greens and grays convey the hot, hazy Alabama heat while bright beacons of light shine on Rosa throughout her journey. The illustration on the front cover is the pièce de résistance of this fine work. The tall white police officer stands menacingly over Rosa while her bright eyes convey her courage, her fear, and her determination to stand up (or, in her case, sit down) for what is right. In the background, Rosa is surrounded by what looks like a halo. This stunning work gave Bryan his second of four Caldecott Honors.

Kadir Nelson

“I feel that art’s highest function is that of a mirror, reflecting the innermost beauty and divinity of the human spirit, and is most effective when it calls the viewer to remember one’s highest self. I choose subject matter that has emotional and spiritual resonance and focuses on the journey of the hero as it relates to the personal and collective stories of people.” – Kadir Nelson, author website.

Kadir Nelson was born in Maryland in 1974. He has always been drawn to art and the techniques behind the art. His uncle was a well-known artist who took Kadir under his wing and nurtured his artistic gifts. His work earned him a spot at Pratt Institute in New York (which Bryan Collier also attended.) Since his graduation in 1996, his work has been in constant demand and has attracted the attention of several children’s book publishers. Kadir Nelson has spent his career showcasing and highlighting African-American culture and history. Kadir Nelson has nine CSK awards, including two Author Awards, two Illustrator Awards, and five Illustrator Honors for his work. Five of these awards were given during the 2000s.

In 2004, Kadir won his first CSK Book Illustrator Honor for Thunder Rose, a tall tale featuring a young African American girl with a can-do attitude and the ability to help out those around her. Rose is born during a thunderstorm and controls the lightning as it zig-zags across the deep dark night sky, portrayed to chilling effect in a double-page spread. Kadir illustrates Rose almost always from below to convey her height but also to show how her mighty presence can fill a room. The cover image portrays Rose decked out in country-western gear as she oozes confidence and relatability, looking upon the young reader with a smirk.

A year later, Kadir won his first CSK Illustrator Award for Ellington Is Not A Street, an adaptation of Ntozake Shange’s poem “Mood Indigo.” This poem is a snapshot of young Shange’s experiences with many prominent African-American writers, thinkers, and activists as they made appearances in her father’s home. In this work, Nelson perfects his oil painting portraits of legendary African-Americans, including W.E.B. DuBois, Paul Robeson, and Duke Ellington, to name a few. These portraits would become a signature part of his work. The respect Kadir has for these people shines through as each person’s personality leaps off the page, giving the young reader a strong sense of who these people are and how important they are.

Moses: When Harriet Tubman Led Her People to Freedom, Nelson’s collaboration with Carole Boston Weatherford in 2007 earned Kadir his second Illustrator Award. This tribute to the prominent abolitionist and Underground Railroad leader is overflowing with esteem for its subject. Nelson’s dramatic signature portrait is on full display on the cover that not only displays his regard for his subject but also conveys the deep connection that Tubman had to God and her religious beliefs. Nelson showcases the admiration that the people who relied on Tubman’s help had for her, as shown in dramatic double-page spreads throughout. This exquisite work earned Kadir his first Caldecott Honor.

In 2009, Kadir Nelson made history with We Are the Ship: The Story of Negro League Baseball. The first book he wrote and illustrated earned him his first CSK Author Award, third Illustrator Honor Award, and fourth and fifth wins overall. These wins made Kadir the first person to win both a CSK Author Award and a CSK Illustrator Award. In this retelling of the history of Negro League Baseball, Kadir’s deep regard for his subjects bursts from the page through both words and pictures. Told through his signature oil paint portraits, Kadir makes an everyman baseball player look like a head of state. The perspectives of many of these portraits are shown from below or straight on, making this an awe-inspiring experience for young readers. Readers will smell the dusty fields where the teams played and feel the hard wooden benches they sat on while experiencing all nine innings of Kadir’s delicate yet powerful prose.

These two artists, Bryan Collier and Kadir Nelson, represent some of the greatest talents to earn CSK Awards. Since the 2000s, they have continued to work steadily and have collected more awards for their mantle in the process.

Christopher Lassen is a Youth Materials Selector for The New York Public Library & Brooklyn Public Library. Chris is a member of the CSK Marketing Committee.